AURÈLE FERRIERspacerspacerspacer






The work Transitions (2017) by Aurèle Ferrier examines the traces left by human civilisation - the conquest of the unwelcoming hostility of the desert ends in the surreal and hedonistic consumerism of Las Vegas. The camera leads us, with a menacing langour, through a backdrop of deserted city-outskirts. The buildings, cars and  billboards speak of people’s dreams as they strive for a version happiness. The prevailingly eerie, apocalyptic mood draws you along on this filmic journey. These traces of humanity seem increasingly laughable and helpless, they vibrate with a peculiar melancholy. Where have the people disappeared to? One has the impression a catastrophe has occurred, an epidemic, or maybe it is simply an empty film set after a shoot?
The film with its calm and assured grasp on image and sound is able to produce a refined suspense. The film takes the viewer on an odyssey, one that could also be a metaphor for the boundaries of human endeavor. The human culture and civilisation that emerged from the desert, will in the end be desert again.
Text by Esther Eppstein & Elodie Pong



NEWS

Video Art Miden, Kalamata
July
5 – 7

15º Oberá en Cortos / Play Semana de Videoartes, Misiones
10. – 14. Juli

Drunken Film Fest, Bradford
July
14 21

25th European Film Festival Palic
July 14 – 20


Video Party 2018, Kyoto
July 28 – August 4


Open City Documentary Festival, London
September 4 – 9


The Unseen Festival, Denver
September 28


International Architecture Film Festival Move Cine Arch, Venice / Sao Paulo / Paris
September 17
– 21 in Sao Paulo
November in Paris, tba