The work Transitions (2017) by Aurèle Ferrier examines the traces left by human civilisation - the conquest of the unwelcoming hostility of the desert ends in the surreal and hedonistic consumerism of Las Vegas. The camera leads us, with a menacing langour, through a backdrop of deserted city-outskirts. The buildings, cars and billboards speak of people’s dreams as they strive for a version happiness. The prevailingly eerie, apocalyptic mood draws you along on this filmic journey. These traces of humanity seem increasingly laughable and helpless, they vibrate with a peculiar melancholy. Where have the people disappeared to? One has the impression a catastrophe has occurred, an epidemic, or maybe it is simply an empty film set after a shoot?
The film with its calm and assured grasp on image and sound is able to produce a refined suspense. The film takes the viewer on an odyssey, one that could also be a metaphor for the boundaries of human endeavor. The human culture and civilisation that emerged from the desert, will in the end be desert again.
Text by Esther Eppstein & Elodie Pong
A Window to the World, MOCA Hiroshima
Hiroshima City Museum of Contemporary Art
November 20 – February 2, 2020
Alternative, Festival of New Film and Video, Belgrade
Academic Film Center
December 11 – 15
Addis Video Art Festival, Addis Abeba
Addis Abeba, Ethiopia
December 26 – January 1, 2020
San Francisco Urban Film Fest
February 2 – 9 2020
Ecrans Urbains, MCBA Lausanne
Musée Cantonal des Beaux-Arts